Showcase

This online showcase presents contributions and works by Schloss Wiepersdorf fellows since 2020.

[5] Kontaktbogen Ein-heit, © Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt, Foto: Mathias Völzke
[5] Kontaktbogen Ein-heit, © Stiftung für Fotografie und Medienkunst mit Archiv Michael Schmidt, Foto: Mathias Völzke

In 1955, Bertolt Brecht's Kriegsfibel was published for the first time in the GDR. In 1996, Michael Schmidt's artist's book Ein-heit was published in post-unification Germany. Both publications deal with German history, especially the Second World War, and use media images to examine the expressive power of photography. Prof. Dr. Erdmut Wizisla and Schloss Wiepersdorf fellow Maxie Fischer talked about the books and the scholarly work with archival material in August 2020.

Phillip Zach, Double Mouthed, 2019 (film still)

Visual artist Phillip Zach in conversation with curator Maurin Dietrich about his work, underlying themes and interests, and his current project.

As part of the Virtual Residency Program 2020, composer and music theorist Adrian Kleinlosen talked with composer Karin Wetzel about the phenomenon of 'polytemporality' in music.

Pauline Stopp, Sun always shines in Corona Times, 2020

Visual artist Pauline Stopp presents her work here in the digital showcase; accompanied by a text by Peter Funken.

Art historian Tobias Teutenberg is inviting us to mutually think about the new meta-discipline of historical perceptology. The essay addresses the history-of-ideas fundamentals of this meta-discipline in the European intellectual history of the early modern period while defining possible fields of application and determining practicable methods. Most importantly it inquires into the current relevance of historical perceptology and how it contributes to a better understanding of perception regimes at present.

Phillip Zach, Zero-G, 2019

Art historian and curator Julia Mullié spoke with visual artist Phillip Zach about his work.

In the framework of the Virtual Residency Program 2020, multi-artist Tatiana Gerasimenok composed an interview with 25 questions and answers about her artistic visions, telepathy, ritual of sacrifice, art of the future, and her new projects.

Jan Snela explores the haiku as a literary site of an "autre mondialisation" and as a suitable medium for writing in times of climate change. A lecture in German language.

A conversation between Hagen Verleger and Jan Wenzel about the socio-political dimension of bookmaking and publishing as a political and artistic practice.

In his podcast Adrian Kleinlosen reflects on composing with structures in the 21st century. In German.